What is it about the Royal Family and the British Establishment that makes it so attractive to youngsters?
From the very beginning messieurs Savile, Harris and Hall were instrumental in bringing an exhilarating mix of high culture and bonhomie to all our childhoods. Savile in his work as chief gift giver as host of Jim’ll Fixit reminded us youngsters that it was and always would be who-you-know rather than what-you-know - truly the Tory way - and ended up blessed to spend eleven successive New Years Eves with The Lady at Chequers. Hall proved that a simple working man from “Oop" North could possess just as an adequate dexterity at language as his continental contemporaries Jean-Paul Sartre and Samuel Beckett, going on to accept an OBE and becoming the subject of a House of Commons motion congratulating him for his forty years service to the noble art of sports commentating. Now, we all know that children are subject to have their heads turned by excitement, by glamour and by the grace and favour of Margaret Thatcher and Her Madge herself. As has been revealed by some unsavoury (and unnecessary) high court trials a great many children may have been impressed by these bastions of the conservative establishment a little too much. These sorry affairs have opened up a great many questions regarding our children and their futures. Just what makes the Great British child so flighty, so prone to the bright lights of power and prestige and titillation? Are they easily led? Are they desirous? Insatiable? Perhaps deep down these brazen kiddlings are simply too easily led by all that glitz and glamour.
One thing I would like to make clear: no near-middle aged Tory should feel any sort of guilt when looking back at childhood infatuations with the likes of Hall, Savile and the Australian artiste himself. As Lord Tebbit has pointed out at the time in which they were in their pomp the priority in our national life was to defend the system. The establishment. This is what these men represented and why children found them so attractive and this is why we should regard these Grands Hommes of the arts as the cultural vanguard of the Right which crushed the Leftish Hampstead limp-wristedness of the continental, Labour supporting metropolitan elite. How sadly times have changed . . . as a latter-day wheezy-breathing Oscar Wilde languishes in Wandsworth Prison let us remember the cultural contribution of those we have lost along the way, for as the groundbreaking Mancunian “emcee” D.L.T said at the time of Sir Jimmy’s passing - “We are all going to be worse off without him around.”